Alan Parker On Sound
In the second of our exclusive series of interviews with directors on the subject of sound in cinema, Peter Cowie talks to one of the foremost names in modern British cinema, Alan Parker
»In the second of our exclusive series of interviews with directors on the subject of sound in cinema, Peter Cowie talks to one of the foremost names in modern British cinema, Alan Parker
»The life and death of an amateur grizzly bear expert and wildlife preservationist is the subject of Werner Herzog’s latest film. Harlan D. Whatley enjoys "an entertaining and powerful tale about modern man’s relationship to nature"
»From Ozu to Mizoguchi, Japan has produced some of the true greats of world cinema – but this new book concentrates on the less mainstream names that have shaped the development of Japanese cinema. Colin Odell & Michelle le Blanc can’t wait for the next volume
»We all know it’s tough to make a movie at the best of times, but despite the vagaries and pitfalls of the filmmaking market, the producers of Unknown were convinced they were onto something special. Edith Bukovics chats to them about their new film
»In the third instalment of our Filmmakers On Sound series, Walter Salles – director of the award-winning Central Station and The Motorcycle Diaries – talks to Peter Cowie about the way sound has shaped his career
»You might think you know a little about Russian cinema, but if the rather obscure names in IB Tauris’ new Kinofiles series are anything to go by, it might be time to think again. Antonio Pasolini reviews biographies of Mikhalov and Muratova
»Clocking in somewhere around the 26-hour mark, the original Heimat series was one of the longest – and most ambitious – experiments in the history of film. Edmund Hardy reviews the sequel, newly released as an 8-DVD boxset from Tartan Video
»Forty years on from its original release, Jules Et Jim remains one of the enduring classics of French cinema, and its director Francois Truffaut is still revered as an icon of the New Wave. Tim Keane reviews the Criterion DVD edition of the film
»His name might not be as well known as that of his more famous contemporary, Ingmar Bergman, but Gustaf Molander was one of the founding fathers of Swedish cinema. Steven Yates reviews his best film, Eva
»Korea continues to lead the way in the world of horror cinema with this latest release from Tartan, a typically chilling tale of a malevolent and demonic acacia tree. Sounds silly? Think again, say Colin Odell & Michelle le Blanc
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