Julio Medem's films (Cows, The Red Squirrel and Tierra) so artfully skip back and forth between narrators, places and time zones that any linear narrative becomes irrelevant. And while any film whose plot points are based merely on coincidence risks appearing contrived, Medem's latest film, Lovers of the Arctic Circle, is a romantic epic that not only neatly embraces coincidence as a motif, it celebrates it. In pulling this off successfully, Medem has created his most accessible film to date.
Ana and Otto are eight years old when they first meet and from that point
on their lives are inextricably meshed. Otto's father falls in love with
Ana's mother and their adolescence is spent in a mutual adoration. The
failure of his parents' relationship leads Otto into a quest for an endless
love. Essentially told in flashback, the first person narration swings
between Otto and Ana as they each give their versions of the events that
have spanned their adolescence and young adulthood. To traverse time Medem
incorporates imaginative switches - such as a car braking suddenly which
jolts its passengers forward and, when they fall back, they are a few
years older and played by different actors - that are beautifully
executed.
The first person narration allows the protagonists some partiality but
sometimes the reasons for their actions are less than clear. Add to this
the occasional dose of Latin magic realism and the viewer is often left
floundering. Overall however, Lovers of the Arctic Circle stimulates the imagination delightfully - a relief when one considers what a less creative director would have done with the same story.
Reviewed by Iain Tibbles
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