Shrek 2
The original Shrek was one of the most groundbreaking (and successful) animations of all time. Now the Dreamworks team are back with the second instalment – but has the magic worn off? Ben McCann finds out
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The original Shrek was one of the most groundbreaking (and successful) animations of all time. Now the Dreamworks team are back with the second instalment – but has the magic worn off? Ben McCann finds out
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The third part of Sergio Leone’s seminal Dollars trilogy is widely hailed as one of the greatest westerns ever made, so this special edition re-release is long overdue. Ben McCann thinks it was worth the wait
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With another American presidential election looming in 2004, it seems like a good time to look back at this mock-documentary take on the sagas and shenanigans last time round. Ben McCann ends up amused but confused by the world of US politics
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Denys Arcand’s films have usually fared better with critics than audiences, but his latest movie, which follows a womanising young man diagnosed with a terminal illness, has proved a big hit on the European circuit. Ben McCann thinks it combines "genuine emotion with incisive social comment"
»Victim is the last in a trio of recent re-releases from one of Britain’s most underappreciated directors, Basil Dearden. Ben McCann applauds a surprisingly frank story of homosexuality and middle-class prejudice in the swinging Sixties
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The crime caper was once a staple of the British cinema, and no one handled the formula better than Basil Dearden. He might not be very well known these days, but these Carlton re-releases might bring a new audience to his films. Ben McCann reports
»Vampires, werewolves, tight-fitting catsuits, and enough high-octane action sequences to have the new Governor of California quaking in his size-thirteens – surely Underworld is modern horror’s answer to the Matrix? Ben McCann doesn’t think so
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Though it bombed during its initial cinematic release, Frank Darabont’s life-affirming prison tale The Shawshank Redemption has taken on a life of its own on video and DVD. Ben McCann reviews a new critical take on the film from Mark Kermode
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The French critics loathe him, the film establishment ignores him, but somehow Patrice Leconte continues to make his peculiar brand of movies. Ben McCann reviews his latest effort – a skewed buddy story between a small-time crook and a literary professor
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