Angel On The Right
This dark, gritty story of life in the former Soviet republic of Tajikistan certainly doesn’t make for comfortable viewing, but Darren Amner thinks it’s "a movie that deserves to be seen"
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This dark, gritty story of life in the former Soviet republic of Tajikistan certainly doesn’t make for comfortable viewing, but Darren Amner thinks it’s "a movie that deserves to be seen"
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You might think you’ve seen enough mid-American teenage murder tales to last you several lifetimes, but Mean Creek promises to be something a little different. Mark Sells thinks it’s well worth a look
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The film world isn’t particularly noted for its sensitive approach to the everyday realities of homosexual relationships – which makes this refreshingly down-to-earth British documentary all the more welcome. Review by Antonio Pasolini
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Sean Penn returns in typically intense style in this political potboiler about an attempted plot to bring down President Nixon in the mid 70s. Christopher Sandford sees more than a passing resemblance to Taxi Driver
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A Hard Day’s Night was one of the seminal pop films of the 1960s, and remains a much-loved classic with movie fans and Beatle aficionados alike. Colin Odell and Michelle Le Blanc review a new appreciation of the film by Stephen Glynn
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Forget about the endless press junkets and industry screenings of your average film festival – the Rolling Stock Film Festival is something completely different. Find out more on a Central train near you
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Iceland has produced a number of cinematic gems in recent years, even though few of them ever manage to achieve mainstream success abroad. Graeme Cole reviews the latest Icelandic indie from Fridrik Thor Fridriksson
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In an exclusive report for kamera.co.uk, Steven Yates rounds up the highs and lows from goEast 2005 in Wiesbaden – one of the few film festivals which focuses exclusively on East European cinema
»The Vietnamese director Minh Nguyen-Vo may have started out as a physics teacher, but his low-budget film Buffalo Boy is currently making waves on the festival circuit and looks set to make his name as a serious filmmaker. Interview by KJ Doughton
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The IMAX format has never quite achieved mainstream appeal (mainly thanks to the enormous expense of the equipment), but this new documentary about the high-octance sport of Nascar racing is a great advert for the format. Review by Colin Odell and Michelle le Blanc
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Argent Films continues its re-release of the "original" spaghetti westerns with Django Kill, a classic wild west mix of spit, grit and exploding squibs. It might not be Unforgiven, but Edward Lamberti still finds much to enjoy
»In Hollywood’s latest adaptation of a cult comic book, Keanu Reeves stars as the chain-smoking, devil-busting John Constantine, doomed to save the world or be condemned to damnation. Deryck Swan is less than impressed
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Dogwoof Pictures is a new distribution company based in London which aims to bring high-quality foreign language film to a UK audience. Oliver Berry chats to the director of Dogwoof, Anna Godas
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