Last Tango in Paris
Ten to tango: Edward Lamberti lists the reasons that he loves one of the 1970s most famous arthouse films, Last Tango in Paris
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Flandres
The inner war: Edward Lamberti reviews Bruno Drumont’s latest winner, Flandres
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Valmont
Historical injustice: Edward Lamberti pays homage to Valmont, Dangeous Liaisons’s neglected sibling
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Inland Empire
Inland we go: Edward Lamberti succumbs to the mysterious attractiveness of David Lynch’s lastest surrealist offer, Inland Empire
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Letters From Iwo Jima
Edward Lamberti on Clint Eastwood’s latest film triumph, Letters From Iwo Jima
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Notes on a Scandal
Wrong notes: Judi Dench’s performance in Notes on a Scandal "has shades of late-career Bette Davis", says Edward Lamberti
»Babel
Much ado about nothing: Edward Lamberti is disappointed by Babel’s lack of eloquence
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Blood Diamond
A miner type of art: Blood Diamond dodges political depth in favour of action thrills. But Edward Lamberti does not dismiss it altogether
»Junebug
Give it a warm reception: Edward Lamberti reviews the DVD release of Phil Morrison’s Junebug
»Stormbreaker
Stormbreaker is a sugar-free James-Bond-a-like espionage movie with a schoolboy for a spy and you may very well be thoroughly entertained by it, says Edward Lamberti
»Good Night, and Good Luck
Lucky Clooney: Good Night, and Good Luck, George Clooney’s triumphant directorial debut, arrives on DVD. Plus British silent movies finally get talked about
»Caché (Hidden)
One of the most successful European films in recent years, Caché (Hidden) arrives on DVD format.
»Director’s cult: the Dardenne brothers
Edward Lamberti analyses the Dardenne brothers’ career from the perspective of their film, L’Enfant
»Kieslowski special: the director today
Edward Lamberti remembers the great Polish director 10 years after his death
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Good Night, and Good Luck.
In the public eye: Good Night, and Good Luck. is George Clooney’s Oscar-nominated new movie about the battles between Ed Murrow and Joe McCarthy. Edward Lamberti checks it out.
»Oliver Twist
Polanski’s Twist: it may have failed to capture the critics and the paying public’s imagination, but Edward Lamberti thinks Polanski’s latest offer deserves more than that
»Caché (Hidden)
High Caché: Michael Haneke shows further evidence he’s one of Europe’s most challenging directors
»Match Point
Ed Lamberti welcomes Woody Allen to London – and his return to form
»Brokeback Mountain
Brokeback Mountain may be galloping towards the Oscars and heaping praise since its US release, but Ed Lamberti thinks Ang Lee may have taken his understated style a little bit too far
»Italian for beginners
Pietro Germin, the director of Divorce Italian Style, does not figure amongst the sacred gods of Italian cinema. But wider availability of his films on DVD may put an end to Germin’s undeserved ostracism, says Edward Lamberti
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